![]() It's particularly well suited to vocals, and so easy to use: a few attack and release time options and a big 'gain reduction' knob with which to set the amount of compression. "The TLA-100 is particularly well suited to vocals, and so easy to use" We've already looked at the TLA-100 in back in March (when it scored an impressive four and a half stars), and suffice to say it's a classic valve emulation that delivers supremely transparent compression as a levelling amplifier. It's much subtler than a surgical EQ, especially around the 'presence' range, where you won't hear the typical edginess, just a 'bringing forward' in the mix. The EQF-100 isn't surgical it's a character EQ used for the warmth of its bottom end and smoothness of its top. The output volume, along with the input and output VU meters, enables you to match in and out levels if you're doing a lot of boosting, thereby controlling the distortion level. ![]() ![]() A pair of high and low filters complete the tonal controls, each with three cutoff frequency options. Annoyingly, the default setting of the latter is 0 - it would be better set at 5. The bandwidth control is marked from 0 (narrow) to 10 (broad).
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